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Level 2

Praveshika First Year

प्रवेशिका प्रथम वर्ष

75 Total Marks
60 Practical
15 Theory (Oral)
26 Passing Marks
Duration: 15 Minutes

Examination conducted by Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMVM)

Theory · शास्त्र

Definitions · परिभाषाएँ

Sangeet (Music)Dhwani (Sound)Naad (Musical Sound)Swar (Note)Shuddha Swar (Pure Notes)Vikrit Swar (Komal/Flat, Tivra/Sharp)Varjit Swar (Omitted Notes)Saptak (Octave)Mel (Parent Scale)Alankar/Palta (Ornamentations)Raag (Melodic Framework)Jaati (Audav, Shadav, Sampoorna)Vaadi (Primary Note)Samvaadi (Secondary Note)Pakad (Catch Phrase)Aalap (Elaboration)Taan (Fast Passages)Swarmaalika/Sargam GeetLakshan Geet (Descriptive Song)Sthayi (First Part)Antara (Second Part)Laya (Tempo: Vilambit/Slow, Madhya/Medium, Drut/Fast)Matra (Beat)Taal (Rhythm Cycle)Vibhag (Section)Sam (First Beat)Khali (Empty Beat)Dugun (Double Speed)Theka (Basic Pattern)Aavartan (One Cycle)

Theoretical knowledge of prescribed raags: Details of raag mel (thaat/parent scale), swar, aaroh, avroh, pakad, main swar combinations, time, jaati, vaadi, samvaadi, varjit swar, etc.

Basic knowledge of swarlipi (musical notation) symbols.

Practical · क्रियात्मक

Swar Knowledge (Notes) · स्वरज्ञान

Singing/playing and recognizing seven shuddha swar (pure notes). Singing/playing komal (flat) and tivra (sharp) vikrit swar and recognizing them with the help of raag swar.

Alankar (Ornamentations) · अलंकार

Five simple alankars in shuddha swar in vilambit (slow) and madhya (medium) laya

  1. 1 SaRe, ReGa, GaMa... SaNi, NiDha, DhaPa
  2. 2 SaReSa, ReGaRe, GaMaGa... SaNiSa, NiDhaNi, DhaPaDha (in Dadra taal)
  3. 3 SaReGaSaReGaMa, ReGaMaReGaMaPa... Sa'NiDhaSa'NiDhaPa, NiDhaPaNiDhaPaMa (in Roopak taal)
  4. 4 SaGaReSa, ReMaGaRe, GaPaMaGa... Sa'DhaNiSa', NiPaDhaNi, DhaMaPaDha (in Teentaal)
  5. 5 SaMa, RePa, GaDha... Sa'Pa, NiMa, DhaGa

Raag Knowledge · रागज्ञान

Raags · राग:

YamanKafiKhamajBhimpalasiBageshriBhupaliDesDurga
  • Aaroh-avroh (ascending-descending scales), pakad (catch phrases), and introductory aalap/swar vistar of all these raags.
  • One geet (song) or gat in madhya laya (medium tempo) in each raag.
  • Preparation to sing/play for five minutes in any six of these raags with bandish/gat, aalap/swar vistar, and taan or gat tods.
  • Seven additional compositions in prescribed raags: one geet in Jhaptaal/Roopak/Ektaal, two sargam geets, two lakshan geets, one dhrupad (with dugun), and one bhajan.
  • Identifying raags by their characteristic swar phrases.
  • Singing/playing national songs "Vande Mataram" and "Jana Gana Mana" is mandatory.

Taal Knowledge (Rhythm) · ताल-ज्ञान

EktaalChartaalJhaptaal

Knowledge of Ektaal, Chartaal, and Jhaptaal, with practice of reciting taal bol with hand claps.

Marking Scheme · अंकपत्रिका

Description · विवरणMarks · अंक
Bandish with aalap and taan in the prescribed raag8
Bandish with three aalaps or five taans in another raag7
One alankar in shuddha swar and one in a raag6
Dhrupad or instrumental alankar in thaah and dugun5
Bandish in a taal other than Teentaal5
Any three from: Lakshan geet, bhajan, sargam geet, dhun, Vande Mataram, Jana Gana Mana12
Raag identification (three raags)6
Swar identification (two note groups)6
Knowledge of two taals with theka recitation using hand claps5
Total · कुल60

Theory (Oral) · शास्त्र (मौखिक)

Knowledge of one raag5
Knowledge of one geet/gat type or swarlipi notation system4
Three other short definitions6
Total Theory · कुल शास्त्र15
Grand Total · सर्व योग: 75 Marks · अंक

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